We’re really excited to announce that we are hosting our first SXSW showcase at this years festival. The stage has a fantastic bill of six bands also making their SXSW festival debuts.
Taking place on Wednesday 16th March at the Barracuda Club, the event will go on until the early hours of the morning on Thursday 17th March.
The stage times for the showcase and event details can be found here:
1.15am — Night Beats
00.15 — Stealing Sheep
23–15- Hooton Tennis Club
21.15- The Parrots
20.15- Amber Arcades
We will have HVN339 Heavenly SXSW showcase patches for all who attend.
Believe In Magic…
Towards the back end of last year Memphis band Nots made their European live debut with a series of shows and festival appearances. The group played our Heavenly 25 show at The Garage. You can watch the band perform ‘Shelf Life’ from that night here:
We’re delighted to reveal that the band will follow up their previous album & debut ‘We Are Nots’ with an as yet unannounced new record due to drop later in the year. First, the band are returning to Europe for a series of new shows, including their own headline date at The Lexington.
The band are playing the following shows this spring:
20th Kortrijk, De Krreun
21st Brighton, Bleach (6pm)
21st Brighton, Sticky Mike’s (1am)
22nd Manchester, Soup Kitchen
23rd London, Lexington
24th Cologne, King Georg
25th Hamburg, Hafenklang
26th Berlin, Monarch
27th Madrid, GetMAD! Festival
28th Paris, Villette Sonique
29th Geneva, L’Usine
30th Zurich, Bosch Bar
“A great debut then, and one that offers further proof of the robust current state of the US underground” — Q Magazine 4/5
“Dark, angry and out-there, ‘We Are Nots’ is an impressive, if punishing, introduction.” — Uncut 7/10
“They’ve created a surefooted, aesthetic defining opening statement.” — Pitchfork 7.8
Taking place on the weekend of the 6th & 7th of August, ‘Caught by the River Thames’ have revealed the first acts on an eclectic bill of music, poetry & nature. This unique event will be one of the most exciting to attend this summer.
Caught by the River poets-in-residence Will Burns and Martha Sprackland will curate their own programme in the Faber Poetry Chapel, whilst Pete Fowler, Matt Sewell and Nick Hand will run workshops for the artistically-inclined of all ages.
“Caught by the River Thames is a remarkable new music, arts and nature festival. Bringing together a truly inspirational gathering of bands and brewers, authors and artists, thinkers and drinkers, Caught by the River Thames will be part gig, part literary gathering and part nature symposium. Over two days, it will bridge the previously un-spanned gap between psychedelic high-summer rock’n’roll concert and Springwatch. It will unearth archival London audio-history and provide poetry in the total serenity of a Victorian chapel; play host to jump-up party music from the four corners of the world while holding a low-impact, locally sourced Ten Mile Beer Festival.
Fulham Palace sits the northern banks of the Thames, right where the dirty old river begins to roll out of the city. It’s a best-kept secret in a city that’s not got many unturned stones left; a shortcut to a verdant green space just to the west of the metropolis. Situated an idle ten minutes walk from the tube, its somewhere that makes you feel you’ve stumbled out of the city and into the countryside with the very minimum of effort. It’s the perfect place to host a festival.
This August, Fulham Palace will do just that.
Drawing on nearly a decade of experience promoting stages at events such as Port Eliot, Festival No 6, Field Day and the Good Life Experience, Caught by the River Thames promises to be a unique highpoint of the London festival season – a ready made escape plan for a two-day inner city musical road trip that explores the natural world and a multitude of mind-expanding spaces beyond it.”
Head over to the festival website for all the details & the line-up announcements thus far: http://www.caughtbytheriverthames.com/
Plus, if you haven’t visited the Caught by the River website already check it out here for daily posts on nature,films, poetry, Jeb’s jukebox and a mix of everything from festival announcements to ‘Spoken word & Nature Disco’ mixes.
If you we’re un-aware, Caught by the River was founded by Jeff Barrett of Heavenly Recordings as well as Andrew Walsh & Robin Turner. It’s a vision and a daydream shared between friends one languid bankside spring afternoon.
It was conceived as an online meeting place for pursuits of a distinctly non-digital variety: walking, fishing, looking, thinking. Birdsong and beer. Adventure and poetry. Life’s small pleasures, in all their many flavours. It was – and still is – about stepping out of daily routines to re-engage with nature. Finding new rhythms. Being.
“Amber Arcades’ previous single “Turning Light” was one of the best we’ve heard so far this year, and today she follows it with another strong track called “Right Now.” This one trades the prior song’s fast-paced rush for a retro Euro-pop jangle but keeps the incandescent glimmer. Project mastermind Annelotte de Graaf shared some background on the track:
The words for the chorus in Right Now popped up in my head almost immediately and I built the rest around it associatively. Even now the precise meaning is hard for me to pin down and can shift over time, but generally I’d say it’s about the billions of different views there are to this life and whatever we’re doing here with our time and how all these differing views are probably equally true and false. I guess that’s kind of everything and nothing. And I think that might be the point.”
‘Right Now’ was recorded in New York with producer Ben Greenberg (The Men, Beach Fossils, Destruction Unit). Amber Arcades are due to release their debut album in the Spring.
The band will also be supporting label mates Palehound on their UK tour in addition to their shows with Nada Surf. Plus, the band have been added to the bill for a Heavenly all day event at The Moth Club on March 12th, where the band will supporting Gwenno.
Saturday 30th January — Ekko. Utrecht, NL
February 7 Grasnapolsky Festival, Kootwijk NL
Tuesday 1st March — Gullivers, Manchester *
Wednesday 2nd March — Start The Bus, Bristol *
Thursday 3rd March — Shacklewell, London *
Friday 4th March — PIAS Nites, Beursschouwburg, Brussels
Saturday 5th March — Rough Trade, Nottingham
Sunday 6th March — Headrow House, Leeds *
Monday 7th March — Sticky Mike’s, Brighton *
Saturday 12th March – Moth Club, London, Heavenly night w/ Gwenno, Britain
March 15/20 SXSW, Austin, Texas, USA
Saturday 9th April — The Deaf Institute, Manchester ^
Sunday 10th April — King Tuts, Glasgow ^
Monday 11th April — Electric Ballroom, London ^
* with Palehound
^ with Nada Surf
“The video offers a sort of physical manifestation of these layers, as Gwenno appears through various camera filters and guises, draped in red silk, a paisley wrap, even cling film, each incarnation superimposed over the next, or doubled up as if through a drunken, psychedelic haze.
“I made this video with photographer and film maker Jacek Davis,” Gwenno says. “Jacek’s imagery evokes pure glamour in the most DIY sense, and since Fratolish Hiang Perpeshki is about dancing in a dystopian future where robot overlords have taken over the world and we’re all rapidly being turned into clones, we thought we’d make a video of me dancing — as a final wave goodbye to freedom.”
The single is from her debut album “Y Dydd Olaf’ which was released to great critical acclaim last year:
“Y Dydd Olaf is at once spooky and playful, romantic and angry… Mixing an ancient, bucolic language with otherworldly dance music is a genius move.”
Mojo – ★★★★
“Saunders immediately commuincates a sense of fracture and collapse, the dying fall of Golau Arall or the chaotic pop static of Stwff unfolding against an ominous deep red horizon… This record demands what’s left of your time.”
Q Magazine – ★★★★
“A record so effortlessly coherent, consistent and engaging as to be almost perfect… A fabulous voyage that delights at every unexpected turn.”
Record Collector – ★★★★
“A neatly devised tribute to 1970s electronic pop, all vintage synthesizers and propulsive krautrock beats, with echos of Goldfrapp and Stereolab.”
Financial Times – ★★★★
“The Welsh-language debut by the former Pipettes frontwoman pairs luscious, breathy vocals and sci-fi themes with funky electronica and industrial clanks – the sound of the M4 meeting the autobahn.”
Time Out – ★★★★
Feb 26 Kunstencentrum Vooruit Gent, Belgium
Mar 10 The Bodeg, Nottingham, United Kingdom
Mar 11 Hare & Hounds, Birmingham, United Kingdom
Mar 12 Moth Club London, United Kingdom
Mar 23 LFSM Festival, Nantes, France
Mar 25 WALES GOES POP! Cardiff, United Kingdom
Apr 01 Laugharne Festival,Laugharne, United Kingdom
May 12 Focus Wales, Wrexham, United Kingdom
May 21 Moogfest 2016, Durham, NC
“Seattle trio Night Beats have gained considerable critical recognition for their brand of psychedelic R&B music, shown off to fine effect on their latest album, ‘Who Sold My Generation’, out Jan. 29th on Heavenly Recordings. Fans of the band compare them to the 13th Floor Elevators at their ‘69 peak, as well as BRMC and Black Angels.”
‘No Cops’ is the bands first single from their forthcoming album ‘Who Sold My Generation.’ The single is released on a 7″ this Friday featuring a new track, the B-side ‘Vultures.’
“Blackwell’s guitar sounds like a peyote vision feels like, all layered swirls and fuzzed out reverb. Vocally, he brings to mind the pinched style of The Cave Singers’, only with a more breathless vibrato.” — Consequence of Sound
‘No Cops’ is a dirty-as-hell pieces of blues-driven psych, reminiscent of T-Rex at their preening best yet filtered through the haze of a bad trip.” — Clashmusic.com
The band release ‘Who Sold My Generation’ on January 29th.
“Toxic neo-psych from Texas…Their third album pulsates in glorious obliviousness to all interim ‘developments’ in rock.” — Q ★★★★
“Who Sold My Generation is bathed in a warm fuzz perfected in 1966 yet fizzes with a 21st century attitude too.” — MOJO ★★★★
“Night Beats deliver a confident third album that, from the opener, ‘Celebration #1’ enfolds the listener in a potent ambience.” – Shindig ★★★★
The band kick off their European tour in Dublin on January 21st and conclude in Amsterdam on February 22nd.
(Photo by Nick Helderman)
We are delighted to be able to announce that we have signed Amber Arcades, the project of Dutch musician Annelotte de Graaf, to Heavenly.
To coincide with this announcement Noisey have premiered a brand new track, ‘Turning Light’, taken from the forthcoming debut LP which we’ll be releasing this coming Spring. Listen below.
The track was written in the early hours of the morning and recorded in New York with producer Ben Greenberg (The Men, Beach Fossils, Destruction Unit) and a backing band including members of Quilt and Real Estate.
“I was heavily jetlagged throughout the album recording process and kept waking up at 5am. One day I went to the studio early and Keven (Lareau, who plays bass on the recordings) was there already too. He was jamming out on this krautrocky bassline and I’d been playing with this melody in my head for a while which happened to fit over it perfectly. We wrote the track in an hour, then when Ben came into the studio we recorded it, also in an hour. I wrote the lyrics the next morning when I was again awake way too early. I think this half awake/half still dreaming energy definitely seeped into this track.”
Amber Arcades will also be doing a number of live shows over the next few months including a few UK dates supporting Nada Surf in April:
Jan 14/15/16 — Eurosonic/Noorderslag, Groningen, NL
Jan 30 — Ekko. Utrecht, NL
Feb 7 — Grasnapolsky Festival, Kootwijk NL
March 15/20 — SXSW, Austin, Texas, USA
April 9 — The Deaf Institute, Manchester, UK (w/ Nada Surf)
April 10 — King Tuts, Glasgow, UK (w/ Nada Surf)
April 11 — Electric Ballroom, London, UK (w/ Nada Surf)
TOY HEADLINE PIAS NITES, JANUARY 25TH, LONDON, VILLAGE UNDERGROUND — TICKETS
DATES & TICKETS
21/01 | IR, DUBLIN – THE GRAND SOCIAL
22/01 | UK, LEEDS – HEADROW HOUSE
23/01 | UK, GLASGOW – O2 ABC
24/01 | UK, MANCHESTER – SOUP KITCHEN
25/01 | UK, NOTTINGHAM – THE LOFTHOUSE
26/01 | UK, BRIGHTON – THE HOPE & RUIN
27/01 | UK, LONDON – OSLO
28/01 | FR, LILLE – L’AERONEF
29/01 | FR, PARIS – LA MAROQUINERIE
01/02 | FR, BORDEAUX – LE BOOTLEG
02/02 | FR, LYON – LE MARCHE GARE
03/02 | IT, BOLOGNA – FREAKOUT CLUB
04/02 | IT, BRESCIA – LATTERIA MOLOY
05/02 | CR, ZAGREB – TVORNICA
06/02 | SB, BELGRADE – KC GRAD
08/02 | AT, VIENNA – ARENA
09/02 | DE, MUNICH – BACKSTAGE CLUB
11/02 | CH, VEVEY – ROCKING CHAIR
12/02 | CH, ZURICH – ZUKUNFT
13/02 | CH, GENEVA – L’ECURIE
15/02 | DE, STUTTGART – KELLER CLUB
16/02 | DE, HAMBURG – HAFENKLANG
17/02 | DE, BERLIN – BADEHAUS SZIMPLA
18/02 | DE, DRESDE – GROOVESTATION
19/02 | DE, COLOGNE – TSUNAMI CLUB
20/02 | BE, BRUSSELS – MAGASIN 4
21/02 | NL, UTRECHT – EKKO
22/02 | AMSTERDAM — BITTERZOET
KING GIZZARD AND THE LIZARD WIZARD
DATES & TICKETS
16/02 | UK, MANCHESTER, GORILLA
17/02 | UK, NOTTINGHAM – RESCUE ROOMS
18/02 | UK, LONDON — ELECTRIC BALLROOM
19/02 | UK, BRIGHTON – THE HAUNT
20/02 | NE, AMSTERDAM – PARADISO NOORD
21/02 | NE, GRONIGEN – VERA
22/02 | DE, COPENHAGEN – PUMPHUSET
23/02 | SW, STOCKHOLM – DEBASER
24/02 | SW, GOTHENBURG – PUSTERVIK
26/02 | COLOGNE, GERMANY – GEBAUDE
27/02 | BE, BERLIN – BI NUU
28/02 | GE, NUREMBERG – Z-BAU
DATES & TICKETS
01/03 | UK, MANCHESTER — GULLIVERS
02/03 | UK, BRISTOL – START THE BUS
02/03 | UK, LONDON – SHACKLEWELL ARMS
05/03 | UK, NOTTINGHAM – ROUGH TRADE NOTTINGHAM
06/03 | UK, LEEDS – HEADROW HOUSE
10/03 | GE, BERLIN – THE MONARCH
11/03 | NE, AMSTERDAM – LONDON CALLING
DATES & TICKETS
23/01 | UK, HEBDEN BRIDGE, THE TRADES CLUB / LONELADY
12/03 | UK, LONDON – MOTH CLUB / HEAVENLY ALL DAYER
25/03 | UK, CARDIFF, WALES GOES POP
01/04 | UK, LAUGHARNE, LAUGHARNE FESTIVAL
12/05 | UK, WREXHAM, ST GILES PARISH CHURCH
THE NECTARINE NO.9
14–16/01 | NL, GRONINGEN, EUROSONIC NOORDESLAG
30/01 | NL, UTRECHT, EKKO
07/02 | NL, KOOTWIJK, GRASNAPOLSKY FESTIVAL
15–20/03 | USA, AUSTIN, TEXAS, SXSW
09/04 | UK, MANCHESTER, DEAF INSTITUTE (w/ NADA SURF)
10/04 | UK, GLASGOW, KING TUTS (w/ NADA SURF)
11/04 | UK, LONDON, ELECTRIC BALLROOM (w/ NADA SURF)
In our 25th year we’re delighted to have released our highest number of records from our current roster of brilliant artists.
Here’s our new releases of 2015 in date order:
Mark Lanegan — ‘A Thousand Miles To Midnight — Phantom Radio Remixes’
Duke Garwood — ‘Heavy Love’
H.Hawkline — ‘In The Pink of Condition’
Stealing Sheep — ‘Not Real’
Eaves — ‘What Green Feels Like’
Kid Wave — ‘Wonderlust’
King Gizzard and The Lizard Wizard — ‘Quarters’
Gwenno — ‘Y Dydd Olaf’
DRINKS — ‘Hermits On Holiday’
Hooton Tennis Club — ‘Highest Point In Cliff Town’
Fever The Ghost — ‘Zirconium Meconium’
King Gizzard and The Lizard Wizard — ‘Paper Mâché Dream Balloon’
Nots — ‘We Are Nots’
Plus, our Forever Heavenly imprint also re-issued for the first time on vinyl:
To mark our 25th year Rough Trade Shops also released a double CD Heavenly compilation, celebrating Heavenly at 25, CD1 features a track from each of our current roster with CD2 making our 2015 Record Store Releases available digitally for the first time.
Marking our anniversary also meant a series of great live shows, parties & a chance to read about label founder Jeff Barrett in a variety of interviews.
Here are our highlights of 2015
Thanks to all those who hosted our events, purchased the records and partied in our 25th year. It’s been a blast.
Believe In Magic. Always.
Hooton Tennis Club have a new video for their fourth and final single from their debut record ‘Highest Point In Cliff Town.’
Directed by Douglas Hart, you can watch the video for ‘Always Coming Back 2 You’ here.
NME Magazine premiered the video alongside an in depth ‘Lifelines’ interview with the band.
Hooton Tennis Club round off 2015 with a show at legendary Liverpool venue The Kazimier tomorrow night, before the venue closes it’s doors on New Years Eve. In association with Harvest Sun promotions the band will headline the evening with support from Trudy & The Orielles, plus, the bands producer Bill Ryder-Jones will be playing records in-between sets.
The bands debut album ‘Highest Point in Cliff Town’ has made it into Mojo magazines, Piccadilly Records & Q Magazines albums of the year lists.
“A debut that’s utterly irresistible: a summer soundtrack that makes staring out of the train window significantly less mundane.”
DIY – 4 Stars ****
“Few recent debuts have felt quite so enjoyable.”
Mojo – 4 Stars ****
“Their earworming slacker rock narrates small-town life and its crushes, house parties and waiting for things to happen like it’s the last carefree summer before adulthood kicks in.”
Q Magazine – 4 Stars ****
“1990s slacker guitar rock played with wit, charm and confidence.”
The Sunday Times