Ahead of the release of their debut album ‘Los Niños Sin Miedo,’ The Parrots have released two new videos for the singles ‘No Me Gustas, Te Quiero’ & ‘Let’s Do It Again.’
What Youth premiered the video for ‘No Me Gustas, Te Quiero’:
“The Parrots, Madrid’s trio of garage-punk bandits, have been buzzing at the top of our radar for a while now. And today, in an exclusive for What Youth , we’re premiering their new video for “No Me Gustas, Te Quiero”, off their upcoming debut Los Niños Sin Miedo.
Directed and edited by Hache, the video features the band (Diego García, Alex de Lucas and Larry Balboa) wandering through the mesmerizing Chefchaouen region of Morocco, playing futbol, and basically living out our fantasy.”
Nerdist premiered the video for ‘Let’s Do It Again’:
“Their music isn’t simply derivative of a bygone age, though. It’s filled with that modern exuberance that’s given garage rock new life this past decade, as well as the clarion production value that didn’t exist during the first go-round. Plus, they pull off a certain youthful irreverence that’s fresh regardless of era.”
The Parrots debut album ‘Los Niños Sin Miedo’ is due out on Friday August 26th. Album pre-orders and track listing can be found here.
“Los Niños Sin Miedo’ is the sort of record that bursts through the door, noisily hurls its component parts around and then exits almost as abruptly as it enters…a racket in the best possible way.“
★★★★ Q Magazine
“Madrid’s The Parrots invoke a woozy, enthralling chaos that’s imbued with a golden, sun-blushed charm.”
★★★★ Mojo Magazine
“The album was recorded in a week, and sounds alive and vital for it – you feel like the band is a proper gang, naughtiness drips from every last note, and there’s the feeling something unsavoury-yet-fun might be going on yards from the microphone.”
★★★★ Shindig Magazine
“It may have been made by Madrilenos in the southwestern city of Cadiz, but ‘Los Ninos Sin Miedo’ can transport you far further than Spain, whisked away to the rock ‘n’ roll tropics.”
★★★★ DIY Magazine
“On this debut, The Parrots make a claim to be the scene’s slacker kings.”
The split 7″ of ‘No Me Gustas, Te Quiero’ & ‘Let’s Do It Again’ can be purchased here.
The band celebrate the release of the record with a run of shows over the bank holiday weekend:
The band then head out on a full European headline tour.
“The song is about time, continuity and the magic in that; about being the protagonist in your own story while simultaneously being a supporting player in the lives of everyone around you and about how those roles and lines intertwine. The video captures these sentiments in a continuing movement (a.k.a. the most basic dance I could think of – and probably the only one I am capable of tbf) that continues uninterrupted throughout the video, while locations and perspectives change and boundaries between moments fade, being projected over one another.”
Amber Arcades are playing a Greenman festival and End Of The Road this month. They are also joining us at On Blackheath Festival on Sunday 11th Sepetember, where they are playing on our stage with Saint Etienne, Night Beats, Edwyn Collins and The Parrots.
The band are also playing a series of headline shows this Autumn, including their biggest London show to date at the Moth Club.
★★★★ Q Magazine — ★★★★ Record Collector — ★★★★★ The Skinny — 8/10 Clash Magazine — 8/10 Uncut Magazine
The new Wytches album is set to be released on September 30th and it’s titled ‘All Your Happy Life.’ The album was recorded by Jim Sclavunos (Nick Cave and The Bad Seeds / Grinderman) in Chapel Studios in Lincolnshire and then Toe Rag in East London, and mixed by Sclavunos and Mikey Young (Total Control Eddy Current Suppression.)
Album artwork by Samuel Gull
The Wytches second album ‘All Your Happy Life’ draws on a lifetime’s worth of new experiences shoehorned into two whirlwind years since their acclaimed debut album Annabel Dream Reader. There’s no difficult second album syndrome here. This black-hearted set is a combination of heavy comedown psychedelia and bilious and brilliant baroque ‘n’ roll. It’s portentous and scathing. Scabrous and bold. Utterly nihilistic.
Influences and inspiration is drawn from unexpected places – reading Tolstoy’s stories of dysfunctional relationships on the tour bus, digging the warm Hammond-and-acoustic tones of Elliot Smith, loads of underground metal band – but mainly it is informed by observing small town English life with new eyes, having traversed the planet on that first wave of success that followed their 2014 debut. It’s not so much the sound of the calm after the storm, but the howling vortex that follows in its wake.
This summer The Wytches are playing a series of headline shows & festivals:
29th July Kendall Calling, Lake District
5th August The Trades Club, Hebden Bridge
6th August Skeleton Coast Festival, Liverpool
3rd September 1–2-3–4 Festival, London
9th September The Ritz, Manchester
11th September Bestival, Isle Of Wight
24th September Psych Fest, Liverpool
We’re happy to announce that Nots have a new album coming out this Autumn. Titled ‘Cosmetic’ the record follows last years debut album ‘We Are Nots.’ Due out on September 9th, Stereogum are premiering a new track ‘Entertain Me:’
“Entertain me/ Tell me what you see,” Hoffman bursts out snarling after a minute and a half of knotty, incendiary build-up. The abrasive front is nothing new for the band, but it’s never sounded this vital. Hoffman plays guitar like her strings just caught fire and she’s maneuvering around the flames; her tone is so blistering it sounds like she’s plugged into a tube amp made out of a refashioned airplane turbine.
Yet it’s Alexandra Eastburn’s synthesizer work that truly steals the show. She was the secret weapon of the band’s debut, elevating We Are Nots with her squirming, hostile textures, and here manages to somehow be an even more prominent force despite taking a more subtle approach. At seven minutes, “Entertain Me” is the almost thrice the length of most of Nots’ previous output, but every moment of it is essential.”
Nots t-shirts are available to purchase in our emporium as well as copies of their debut LP which is are available here.
‘Blood Moon,’ the new album from M Craft is out on Friday via Heavenly Recordings. Ahead of the release, Beyond The Wizard Sleeve ‘The sonic brotherhood of Erol Alkan and Richard Norris’ have done a remix of the lead single ‘Chemical Trails.’
Brooklyn Vegan are premiering the remix:
“When I first lived in London I would occasionally find myself at Trash, Erol Alkan’s legendary club. I loved that it was on Monday nights– it was always a blast. I remember seeing Suicide play there, among other shows. I got to know Erol, but we somewhat lost touch when I moved to California. I was thrilled that our paths crossed again and that he was up for doing a remix of Chemical Trails with the fantastic Beyond The Wizard’s Sleeve. Enjoy!”
Watch the video for ‘Chemical Trails’ here, directed by George Bryne.
‘Blood Moon’ is released on Friday 17th June. We have a limited number of signed LP’s & CD’s available on pre-order.
PRE-ORDER SIGNED COPIES OF ‘BLOOD MOON’ HERE.
“Like a baroque suite set adrift from its moorings… One of the most exquisite soul-searching odysseys of this or any other year.”
★★★★ Mojo Magazine
“A ten point meditation constructed in isolation and centred around gorgeous midnight piano pieces, this is the classical pop album that Villagers’ Conor O’Brian would fawn over.”
– London In Stereo.
“A wonderful album that exists in its own little world.”
★★★★ Q Magazine
“A meditative mood-piece, wrought from echoing piano, minimalist orchestrations and sudden, cascading waves of vocal harmonies. This is atmospheric ghost music, recalling Mercury Rev, Sufjan Stevens and Simon & Garfunkel at their most ethereal, while the lovely ‘Chemical Trails’ sounds like CSN in space.”
Following the recent European shows & the release of ‘Dry Food’ earlier this year, Palehound have a new video for the album track ‘Cushioned Caging.’
“In similar spirit, the Boston band’s new video for ‘Cushioned Caging’ leaves you unsure whether you’re being cuddled in endless duvets, or battered over the head by a sledgehammer. It’s really, really ace, basically.
The video — a collaboration between Palehound’s frontwoman Ellen Kempner, and film-loving school kids at Boston’s Real to Reel Filmschool — takes place in a surreal waiting room with a difference. Instead of taking tickets for tooth extractions, or Argos microwave ovens, visitors to Palehound’s surgery of choice get rewarded with an empty room in which to smash shit up.
“The idea started with wanting to destroy things, so we worked our way backwards from there to come up with a story and reason to sledgehammer stuff,” summarises director Badger Antoniou. “It was pretty funny. We all had safety goggles and were hiding behind pieces of plexi-glass for the destruction scenes. Amazingly none of us lost an eye or limb, and even our camera came out okay!” Fair enough, really.”
“As deliberately unpolished as these songs are, Kempner and band ensure that her songwriting talents aren’t obscured by it. Rather, they add to its realness, making these songs all the more powerful.” — Record Collector — ★★★★
“‘Dry Food’ is a soundtrack to that tide of self-doubt. With a stark lyrical dexterity and deliciously noodling guitar riffs, the album is torn between crippling sentiment and stark detachment. Distraught and distracted, with her first full-length album Ellen Kempner brings a wealth of emotion into a searing lease of life.” — DIY ★★★
“A post-punk pop explosion is not the usual way to deal with the ache of relationship blues, and although lines like “It hurts in my bones” hint at a deeper pain, the opening salvo of the album is defined by its relentless drive and inventiveness.” — Music OMH 4/5
Photo courtesy of Simon Sarin
We’re excited to announce that The Parrots will release their debut album ‘Los Niños Sin Miedo’ on August 26th via Heavenly Recordings.
To celebrate the news, DIY Magazine are premiering an album track ‘Jame Gumb’:
“¡Oh Dios mío! Madrid racket-makers The Parrots have announced their debut album ‘Los Niños Sin Miedo’. With an album title that roughly translates as ‘Children Without Fear,’ the band’s first full-length comes out on 26th August via Heavenly Recordings.
Recorded in the Southern Spanish city of Cádiz at Paco Loco’s studio, the album marks a bold, psychedelic-flavoured surge forward, and on the evidence of album track ‘Jame Gumb’ alone, The Parrots have never sounded more ambitious. We’ve got the very first spin of the sprawing first glimpse, premiering below here on DIY.”
Following a series of raucous shows at this years Great Escape Festival, the band will be playing a number of festivals this summer, followed by a headline European tour in September.
4th Glasgow, Broadcast
5th Leeds, Headrow House
6th Brighton, Concorde 2* (Supporting King Gizzard and The Lizard Wizard)
7th London, The Victoria
9th Manchester, Ritz
10th Bristol, Start The Bus
11th London, On Blackheath Festival
12th Paris, Point FMR
14th Dijon, Peniche Cancale
M. Craft is set to release his third full album, Blood Moon, next month: an impressive and uniquely thoughtful record, in part no doubt, because Craft spent time living, isolated, in a cabin at the edge of the Mojave desert while writing and recording Blood Moon. Like so many artists before him, he found that kind of solitude deeply conducive to creativity. It changed his aural perceptions, allowing him to notice details like the “little flecks of sound, which would have gone unheard on a city street corner, become like splashes of neon.”
That insight and sensitivity is in full flourish in the video for one of the album’s best cuts “Chemical Trails”. The visuals, premiering exclusively on Wonderland today, are directed by George Bryne and seek to capture the track’s softly haunting quality on screen. Bryne said of the process: “Being my first real film project, shooting/directing the music video for “Chemical Trails” was a really interesting and rewarding experience…I’ve always been interested in film but it was only really since smartphone video that I’ve had a chance to experiment with it. The fluid, story-telling element of moving images (as opposed to still photography) is fascinating and something I’m really keen to explore. I’m a huge fan of Wim Wenders and the way his still and video work complimented each other so I’m very much inspired by how the two disciplines can intersect and overlap. It’s early days but I’m looking forward to doing more.” If “more” looks anything like this, you can sign us up again.
Listen to the title track here:
Following the release of ‘Nonagon Infinity’ we’re excited that Dangerous Minds have premiered the ‘righteously insane’ new video for King Gizzard and The Lizard Wizard’s ‘Peoples Vultures.’ The video follows in the same vein as ‘Gamma Knife,’ similarly to the the looping album and visually with it’s bonkers concept.
Here’s what the video’s co-directors Danny Cohen & Jason Galea had to say on the concept:
We conceptualised a giant 6 meter tall musical vulture. The vulture housed all seven band members along with their instruments and trundled across different landscapes fighting various characters plucked from the tracks on Nonagon Infinity.
With the vulture fully assembled and all the band members inside, it weighed over a tonne and was difficult to move safely across the rough terrain without breaking or toppling over. [frontman] Stu [Mackenzie] had the daunting job of being inside the vulture’s neck and head with only a small railing to battle the vertigo and bumps as the vulture slowly moved.
‘Nonagon Infinity’ is the eighth album from the band and their fourth record released on Heavenly, Purchase the album here.
‘Precision freak-beat brilliance, delivered at maximum velocity’
– MOJO ★★★★
“After recent diversions into cool jazz and acoustica, the eighth album finally trowels on their speciality — the pulsating, Super Furry Animals-style psychedelia of 2014’s ‘Head On/Pill’, extended over a whole album…It’s seemless, silly, but seriously good.”
- Q Magazine ★★★★
“The rusty screech of Robot Stop kickstarts the record, before Gamma Knife careens down a midnight motorway on a flame-streaked motorbike”
– The Guardian ★★★★
“Quite possibly the heaviest they’ve ever trod, last year’s dream-pop stopgap ‘Paper Mache Dream Balloon’ feels like exactly that — a hazy, subconscious memory. ‘Nonagon Infinity,’ by contrast, relishes the darkness. Whenever the rhythmic repetition threatens déjà vu, they take a left turn, ‘Gamma Knife’ in particular a probing, exploratory box of bells , whistles and harmonics solos.”
- DIY Magazine ★★★★
‘Endless psych rock marvel’
- UNCUT Magazine 8/10
The band return to the UK for a series of festival appearances & headline shows at the end of the summer, including their biggest show at the Electric in Brixton.
18th/19th August — Green Man, Brecon Beacons
2nd/4th September — End of the Road Festival, Dorset
6th September — Concorde 2, Brighton, UK
8th September — Electric Brixton, London, UK
9th September — Strange Waves, Manchester
Gigwise are premiering a new remix of Night Beats track ‘Sunday Mourning’ mixed by Jono Ma of Jagwa Ma:
The beatmaster behind Jagwar Ma, Jono Ma, has crafted a sublime remix of ‘Sunday Mourning’ by Heavenly Recordings signees Night Beats. You can listen to it first on Gigwise below.
The marriage of two of the worlds best new bands was always going to be a recipe for success and fortunately the electronic reworking of the psych R&B hit far exceeds our high expectations.
Lee Blackwell’s vocals are stripped from their usual guitar and drum driven sound and imaginatively transformed to fit on top of a fluid beat that nods to the warm analog electronic production of Jagwar Ma hero Andrew Weatherall.
We’re excited to announce that the band are returning to the UK later this month for a run of headline shows, including their biggest show to date at The Scala in London.
The band are then heading out to Europe for a run of shows, including supporting Dinosaur Jr and playing this summers Paris International Festivals of Psychedelia.
Mon 16 Oxford Bullingdon Arms, UK
Tues 17 London Scala, UK
Wed 18 Southampton 1865, UK
Thurs 19 The Great Escape, Brighton, UK
Sat 21 Gold Sounds Festival, Leeds, UK
Sun 22 Edinburgh Electric Circus, UK
Mon 23 Newcastle 02 Academy 2, UK
Tues 24 Sheffield Leadmill 2, UK
Wed 25 Birmingham Rainbow, UK
Fri 27 Dot to Dot Festival, Manchester, UK
Sat 28 Dot to Dot Festival, Bristol, UK
Sun 29 Dot to Dot Festival, Nottingham, UK
Tues 31 Festival Aucard de Tours, France
Sat 4 Yeah Festival, Lourmarin, France
Sun 5 Dijon Deep Inside, France
Tues 7 Muenster Gleiss 22, Germany
Wed 8 Saarbrucken Garage, Germany
Thurs 9 Leipzig Felsenkeller, Germany
Sat 11 Surf and Turf Festival, Netherlands
Sun 12 Patronaat, Haarlem, Netherlands
Mon 13 Wiesbaden Alterschlathof, Germany
Wed 15 Kotrik De Kreun, Belgium w/ Dinosaur Jr
Thurs 16 Sint Niklas De Casino, Belgium w/ Dinosaur Jr n
Fri 17 Rotterdam Rotown, Netherlands
Sat 18 Hannover Lux, Germany
Sun 19 Paris Psych Fest, France w/Temples
Tues 21 Cambridge Portland, UK
“Toxic neo-psych from Texas…Their third album pulsates in glorious obliviousness to all interim ‘developments’ in rock.” – Q Magazine ★★★★
“Who Sold My Generation is bathed in a warm fuzz perfected in 1966 yet fizzes with a 21st century attitude too.” — MOJO ★★★★
“Night Beats deliver a confident third album that, from the opener, ‘Celebration #1’ enfolds the listener in a potent ambience.” – Shindig ★★★★
“Seattle-based garage-psych berserkers take it to the 99th floor on an album that positions them alongside Ty Segall and Thee Oh Sees as cutting edge garage rock innovators.” – Louder Than War 9/10